Dark cherry blooms, ravens, separated heads and war evil spirits – Japanese tattoo craftsman Gakkin isn’t hesitant to fuse ghastly components into his tattoos, transforming them into fragile and lovely gems.
Actually he’s known for it – consolidating sensuality with magnificence.
“I’m not a painter but rather a tattoo craftsman,” he told BBC News from his studio in Kyoto city.
“Everything around me motivates me, particularly nature; wind, rain and timberland.”
Red and dark ink frequently highlights conspicuously in his work.
“Skin isn’t paper and dark is the best shading to work with for tattoos – numerous societies like the Maoris and Polynesians likewise consider it all things considered,” he said.
“Red is a most loved shade of mine and it makes a decent appear differently in relation to dark ink.”
To his steadfast customers and substantial after on Instagram, Gakkin’s freehand style is an expansive part of the advance.
“Tattooing freehand is a very surprising procedure from traditional tattoos,” he clarified.
He doesn’t possess stencil machines, usually utilized by most as a part of the business. Rather, he depends on a ballpoint pen for drawing on skin.
“There are endless potential outcomes for my tattoos and working freehand implies that my pieces will look lovely on your body from any bearing,” he said.